Artist: Rafael Ximeno Y Planes ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Rafael Ximeno y Planes.

-
Jose Ximeno Laurentius Hervas Et Panduro 18th century
-
JosÈ Joaquin Fabregat AL. EXCMO. SE—OR D. ALONSO NU—EZ DE HARO Engraving 1796
-
JosÈ Rafael LarraÒaga Via Crucis (Text) printedtext 1806
-
Piet Mondrian - Composition in Oval with Color Planes 1 1914 oil on canvas The Museum of Modern Art Dutch
-
Oriana Day Mission San Rafael Arcangel oil on canvas late 19th century
-
R. Rafael San Vicente de Paul Etching and engraving 19th century
-
Rafael Maradiaga Goldweight with rectangular shape brass 20th century
-
JosÈ Sanchez S. Pedro Apostol (St. Peter the Apostle),printed on page 1 of RESPONSORIUM/ IN HONOREM BEATI PETRI...(CÛrdoba: Don Rafael Garcia Rodriguez, 1816) Etching and engraving 1814
-
Kerr Eby Scout Planes at Dawn Etching 19th - 20th century
-
Rafael Maradiaga Galeria de la Raza, Calendario 1975 (one calendar of twelve serigraph images) screenprint 1975
-
Rafael Coronel Funeral (Funeral), seventh plate in the portfolio, 21 Estampadores de Colombia, Mexico y Venezuela (21 Printmakers of Colombia, Mexico and Venezuela) Etching and engraving 1972
Museum of Fine Arts -
Blanche Lazzell, American, 1878-1956 Petunia Planes 1952 Reinforced transfer drawing (from carbon paper) with graphite
-
Rafael Ferrer - 50 Cakes of Ice 1970 gelatin silver print The Museum of Modern Art Puerto Rican
-
Jesus Rafael Soto - Untitled 1959-60 wood, painted wood, The Museum of Modern Art Venezuelan
J. Paul Getty Museum -
Fishermen and Putti Pulling Fish into a Boat
-
Ipolito Salazar Anna Lithograph 19th century
-
Ipolito Salazar Homero (Homer) Color lithograph 19th century
-
Harold Malette Dean Richardsons Bay Woodcut 1935
-
Harold Malette Dean The Square and Beyond Wood engraving 1938
-
Harold Malette Dean Bird Wood engraving 1939
-
Harold Malette Dean Stream Wood engraving 1937
-
Harold Malette Dean Mt. Davidson Wood engraving 1939
-
Harold Malette Dean Day Dream Wood engraving 1939
-
Harold Malette Dean Industrial Wood engraving 1938
-
Harold Malette Dean Nocturne Wood engraving 1939
-
Ipolito Salazar Dante Y Virgilio(Dante and Virgil) Color lithograph 19th century
-
Ipolito Salazar La Sagrada Familia (The Holy Family) Color lithograph 19th century
-
Harold Malette Dean Tunnel Road Wood engraving 1939
-
Harold Malette Dean Pipedream Wood engraving in color 1939
-
Harold Malette Dean Coast Road #1 Wood engraving 1937
-
Harold Malette Dean Passing Storm Wood engraving 1937
-
Harold Malette Dean Quarry Pond Wood engraving 1938
-
Harold Malette Dean Water Front Wood engraving 1938
-
Harold Malette Dean Coast Road #2 Wood engraving 1938
-
Harold Malette Dean High Tide Wood engraving 1937
-
Harold Malette Dean Four Trees Ranch Wood engraving 1938
-
Harold Malette Dean Shacks, Twin Peaks Woodcut 1935
-
Harold Malette Dean San Francisco in 1854 Color woodcut 1954
-
Harold Malette Dean Pepper Plant Wood engraving 20th century
-
Harold Malette Dean Girl Bathing Wood engraving 20th century
-
Harold Malette Dean Untitled (mountains) Wood engraving 20th century
-
Harold Malette Dean Bear Creek (Rainbow) Wood engraving 1939
-
Ipolito Salazar Jesus Servido Por Los ¡ngeles(Jesus Being Served by Angels) Color lithograph 19th century
The Metropolitan Museum of Art -
Candlestick and Playing Cards on a Table, Autumn 1910 Georges Braque (French, 1882-1963)Oil on canvas;
-
Harold Malette Dean Sierra Fall Review Wood engraving in color 1939
-
Harold Malette Dean Erosion Wood engraving with brown tone block 1939
-
Harold Malette Dean Early San Francisco Wharf Wood engraving 20th century
-
Ipolito Salazar JUANA DE ARCO (Joan of Arc) , a page from the periodical, El Espectador de MÈxico (1851) Lithograph circa 1851
-
Harold Malette Dean One of Nine small scenes of old San Francisco Woodcut with one tone block 1954
-
Ipolito Salazar La Madre De Los MachabÈos(Mother of the Maccabees)from~BIBLIOTECA DEL ESPECTADOR DE M…XICO Color lithograph 19th century
-
Harold Malette Dean One of Nine small scenes of old San Francisco Woodcut with one tone block 20th century
-
Harold Malette Dean One of Nine small scenes of old San Francisco Woodcut with one tone block 20th century
-
Harold Malette Dean One of Nine small scenes of old San Francisco Woodcut with one tone block 20th century
-
Harold Malette Dean One of Nine small scenes of old San Francisco Woodcut with one tone block 20th century
-
Harold Malette Dean One of Nine small scenes of old San Francisco Woodcut with one tone block 20th century
-
Harold Malette Dean One of Nine small scenes of old San Francisco Woodcut with one tone block 20th century
-
Harold Malette Dean One of Nine small scenes of old San Francisco Woodcut with one tone block 20th century
-
Harold Malette Dean One of Nine small scenes of old San Francisco Woodcut with one tone block 20th century
-
Harold Malette Dean Ft. Point, San Francisco and Golden Gate Bridge Lin B. Print 20th century
J. Paul Getty Museum -
Yo Semite Falls. 2630 ft.
J. Paul Getty Museum -
Dalles, Extremes of High & Low
J. Paul Getty Museum -
Untitled Rayograph (Airplane)
The Metropolitan Museum of Art -
A Meadow Bordered by Trees, ca. 1845 Pierre-Étienne-Théodore Rousseau (French, 1812-1867)Oil on wood; 16 3/8
J. Paul Getty Museum -
Wheels
J. Paul Getty Museum -
Rayograph: "Champs Delicieux"
Museum of Fine Arts -
Fragment Probably Middle Horizon Possibly highland, Peru, A.D. 500–800 Cotton twill-derived float weave 56.3 x
Museum of Fine Arts -
Fragment Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Wool slit tapestry 27.3 x 19
The Metropolitan Museum of Art -
Ensemble, 1965 Designed by André Courrèges (French, b. 1923)French; Made Paris, Francewool, nylon; No dimensions
The Metropolitan Museum of Art -
Dress, 1965 Designed by André Courrèges (French, b. 1923)French; Made Paris, Francewool, silk; L. at
Museum of Fine Arts -
Fragment Probably Late Intermediate Central Coast, Peru, A.D. 1000-1476 Cotton slit tapestry 36 x 48.3
Museum of Fine Arts -
Fragment Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Wool double cloth 22.3 x 10.4
Museum of Fine Arts -
Fragment Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Wool double cloth 20.2 x 23.7
Museum of Fine Arts -
Fragment Late Intermediate Probably South Coast, Peru, A.D. 1000-1476 Wool and cotton slit tapestry 24
Museum of Fine Arts -
Cloth Probably Late Intermediate Central Coast, Peru, A.D. 1000-1476 Cotton and wool plain weave 28
Museum of Fine Arts -
Fragment Probably Late Intermediate Peru, Central Coast, A.D. 1000-1476 Cotton slit tapestry 40.7 x 36.4
Museum of Fine Arts -
Fragment Late Intermediate Probably South Coast, Nasca area, Peru, A.D. 1000-1476 Cotton dovetailed tapestry 31.7
Museum of Fine Arts -
© Armin Landeck ; Armin Landeck, American, 1905-1984 The Engraver"s Tools 1974 Engraving Platemark: 40.8
The Metropolitan Museum of Art -
José Costa y Bonells (died l870), Called Pepito Francisco de Goya y Lucientes (Spanish, 1746-1828)Oil
Museum of Fine Arts -
Strip Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Cotton and wool slit tapestry with
Museum of Fine Arts -
© Armin Landeck ; Armin Landeck, American, 1905-1984 The Engraver"s Tools 1974 Engraving Platemark: 40.8
Museum of Fine Arts -
Fragment of a bag (?) Rimac (?) Late Intermediate, A.D. 1000-1476 Peru, Central Coast Wool
Museum of Fine Arts -
Fragment Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Twill-derived float weave; plain weave 26.2
Museum of Fine Arts -
© Armin Landeck ; Armin Landeck, American, 1905-1984 The Engraver"s Tools 1974 Engraving Platemark: 40.8
J. Paul Getty Museum -
Ideal Female Heads
Museum of Fine Arts -
Cloth Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Cotton and wool plain weave with
Museum of Fine Arts -
Band or border Late Intermediate Probably South Coast, Peru, A.D. 1000-1476 Cotton and wool; plain
The Minneapolis Institute of Arts -
Artist: Georges Braque Title: Le Viaduct de L"Estaque Date: 1907 Medium: oil on canvas Dimensions:
Museum of Fine Arts -
Cloth Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Cotton plain weave; twill-derived float weave
The Metropolitan Museum of Art -
The Adoration of the Shepherds, 14th century Bartolo di Fredi (Italian [Sienese], active 1353, died
Museum of Fine Arts -
Claude Félix Théodore Caruelle d"Aligny, French, 1798-1871 Rocky Landscape probably about 1835 Pen lithograph on
Museum of Fine Arts -
Waistbands from a tunic Inca Late Horizon, 1476-1534 Peru Wool and cotton interlocked tapestry; plain
J. Paul Getty Museum -
Infant
J. Paul Getty Museum -
Bust of a Man
Museum of Fine Arts -
Strip Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Cotton warp-faced twill-derived float weave; unwoven
J. Paul Getty Museum -
Kelmscott Manor: In the Attics (No. 1)
Museum of Fine Arts -
Strips Late Intermediate Central or South Coast, Peru, A.D. 1000-1476 Wool and cotton plain weave
J. Paul Getty Museum -
Bust of Mary Robinson
-
Henri de Toulouse-Lautrec Judic Lithograph 1894
Museum of Fine Arts -
Cover Colonial Peru, 18th century or later Cotton and wool interlocked tapestry with eccetric wefts
-
Henri de Toulouse-Lautrec Footit et Chocolat. 1938

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Ximeno y Planes

Anchorage Museum of History and Art: Call for Artists: Planes, Trains and Automobiles - Transportation and Travel in Art
Send up to 10 slides or low-res digital images on a CD (clearly label slides and CD), a resume, and a detailed list and description of the images being submitted. Do not submit images of work that would not be available for the entire run of the ...
US Art Gallery: Woord: A Collaboration between Pienaar van Niekerk and Louis Esterhuizen
Pienaar prefers not to “illustrate” the content, but rather to use words and text as intelectual, symbolic and even abstract material. I this way, text can be treated as texture and letters as form. Pienaar “plays” with different planes to ...
Butler Museum of American Art: Robert Gwathmey: Master Painter of the Old South
...
Scandinavia House: Louisa Matthiasdottir: A Retrospective
She drew motifs from both of the countries she had called home to express an intensely personal vision. With broad brushstrokes, sweeping gestures, and vibrant color, Matthíasdóttir simplified the images she saw, yet imbued them with the air of he...
Kwang Hwa Information & Culture Center: Truthful Exploration: Chinese Landscape Ink Painting by Grace Wing Mui Auyeung
En plein air sketches gave play to the impromptu brushwork and spontaneity of emotional flow, registering the process of on-the-spot creativity. Artworks imbued with traditional aesthetics provide a rich pictorial display: some coloured in light ...
Pablo's Birthday: Jimi Billingsley: Transit Glyphs
Billingsley’s compositions evoke a range of references and ideas that begin with a fascination with the creative impulse itself (language, authorship), and expand out into his vision of the landscape, and architecture’s definitive relationship to ...
shift e.V.: Barak Bar-Am: Hebeschiebewerk
The installation Hebeschiebewerk consists of several elements: 'CPU ATRIUM' basic shape is that of a large simple box with P.V.C surfaces on all 4 sides. The top has been removed to allow us to view its inner structure. The work invites the spe...
Plus Ultra Gallery: A Series of 'Nows': Thomas Lendvai
Referencing the notion that there is no perceptible past or present, only a series of "nows," Lendvai's installation, although obviously constructed right out of the walls with heavy-duty timber, gives viewers the impression that should they come ...
Prestige Gallery: Tsuneaki 'Ryan' Shoda
Shoda is very personal in his use of cubism, in his planes and technique. In the portrait, the gesture predominates over the face of the character portrayed. Shoda paints the gesture sometimes with dramatic intentionaly, like Hokusai. At the ...
Dangerous Curve: Sterven Simon: Road
For the past 25 years, he’s been using repurposed materials. Several of his solar-powered sculptures are permanently installed internationally. Lately, Simon has immersed himself in the highly labor-intensive culling of Queen Palm flower stems f...
Osteria da Arman: Play of Light: Black and White Photographs by Megan O'Beirne
During a visit to Treviso in September 2001, I was enchanted by the play of light on the old stones of the city and on the river Sile. I delighted in the tranquillity of the green oasis that encircled this beautiful place. Then, in Bilbao the midd...
Centre for Contemporary Photography: Patrick Pound: The Memory Room
Patrick Pound has exhibited widely throughout Australia and New Zealand and his work is held in the collections of numerous public institutions including the National Gallery of Victoria, the Dunedin Art Gallery and the Museum of New Zealand. Poun...
Museum of Nebraska Art: Nebraska Now: Sandra Williams, Polymer
Williams’ art consistently has a slick and near animation-like appearance. The small and large-scale pieces are created by carving relief imagery into wood panels. The recessed areas in the wood are then often filled with brightly colored resin to...
California Museum of Photography: Displaced Perspectives: Photographs and Installation by Baer
Baer's large color photographs are bafflingly bizarre spaces formed as the result of ingenious set construction combined with view camera technology. Baer's work begins with the building of large and...
Centro Galego de Arte Contemporanea: Juan Navarro Baldeweg: Plastic Trajectory
The selection commences with four paintings of the sixties, related to American Post-painterly Abstraction. It also includes Conceptual works...
Hudson River Museum: A Shot in the Dark: Night Photographs by Larry Miller, Lynne Saville and Jill Waterman
Larry Miller's photographs of the American west cast an otherworldly spell on viewers. Eerie red rock formations are silhouetted against cobalt skies blanketed with millions of stars. Miller's brightly lit foregrounds simulate a ...
Fondazione Antonio Mazzotta: Wassily Kandinsky: Tradition and Abstraction in Russia
The chronology begins in 1896, the year in which Kandinsky, at the age of thirty (born in Odessa in 1866), with a law degree, married to his cousin Anja Shemjakina, abandoned his academic career and moved toMunich to work exclusively o...
Henry Art Gallery, University of Washington: Short Stories
The presentation of both new work and permanent collection objects is a central part of the Henry's mission. Throughout the year Short Stories will feature an artist installation unfamiliar to the Seattle audience. One tale is ...
South London Gallery: Urban Nomads
We are always and never at home. Being in transit is a part of our everyday lives. We are forever moving from one point to another, helped on our way by cars, buses, tubes or planes. We cross b...
g-module: Day of War, Nights of Love: A Group of New York-Based Artists
As a group, the works of REYNOLD REYNOLDS & PATRICK JOLLEY, CHRISTOPH DRAEGER, LAURA EMRICK, JENNY GAGE, CHARLES LORETO & EMILY O’CONNOR, SETH MCBRIDE and LISA ROY share a sense of loss for a more innocent state of mind, yet without falling into e...
Project Gallery: La La Land: Curated by Paul O'Neill
And while they are situated in the gallery and carefully designed for the different planes of the space, they exit the white cube by consciously referring to an elsewhere. For example: FLOOR
Liam Gillick's 'Discussion Island Preparation...
Bartley Nees Gallery: Max Gimblett: Paintings and Drawings
Max Gimblett’s art is timeless. Born out of 20th century abstract expressionism and early modernist concerns to express the spiritual in art, it is also inflected by the artist’s interest in Asian art and religion. His paintings, which are at onc...
Atlanta Contemporary Art Center: Sara Hornbacher: A Thousand Plateaus
Hornbacher will draw on a dense archive of imagery collected over a twenty-year period to create A Thousand Plateaus. Spectators will trigger sensing devices that will create shifts and changes in the projected image and sound environment, seein...
Australian Centre for Contemporary Art: Propulsion: John Meade / Gentle: Pat Brassington
The images are projected on to suspended screens which can be viewed from either side; like two floating picture planes. They alternately appear like isloated stills from various popular films we may have seen at some time (from slapstick to ac...
Museum der Moderne Mönchsberg: ein-leuchten
"Light" in this sense is derived from the Greek concept of "phainomenon" - the appearance - something which is emerging in the process of becoming and metamorphosis. For a brief period of time, "ein-leuchten" articulates the stage of emergence...
Side Street Projects: Gymnosphore Bubbles and Steams: An Installation by David Deany and David Hanson
David Deany, painter and sculptor, has a conceptual bent and a predilection for environment making. After receiving an MFA from the Art Institute of Chicago in 1997, he has been included in exhibitions in Chicago, Los Angeles, Seattle, and Hou...
Modern Museum of Art: Modern Starts: Things
In painting, the still-life genre, with its focus on the representation of objects, experienced a renewed interest. Beginning with P...
Perth Institute of Contemporary Arts: Elvis Has Just Left the Building - Urban Legends / Contemporary Myths
Sightings of extinct animals, conspiracy theories, UFO abductions, the ubiquitous Elvis apparitions and other compelling myths from Australia and abroad are among the topics tackled by the participants. Shifting from truth to fiction and back ag...
Latino Art Museum: Latino Art Biennale 2005
As in the art world in general, this group of Latino artists presents styles varying from the traditional to the contemporary. The influence of heritage is apparent in a few, as in Cinthya Castillo’s enhanced photo of a native dancer, Delores Haro...
Art Gallery at Convento de San Jose: Jose Luis Lazaro Ferre: The Bullfighters
I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire’s thesis in his Les Peintres cubistes: méditations esthétiques, especially the following sections: ... Therefore, a...

Further Artwork and Information:

Rafael Ximeno Y Planes (1917 - ) Biography, Artwork Images, Exhibitions, Reviews
Rafael Ximeno y Planes
artnet.com: Resource Library: Ximeno y Planes, Rafael
La Academia y los inicios del Neoclásico
Biografía de Humboldt
Untitled Document
file
cul-palacio.html
siglo_XIX
Ciudad de México.- Historia de la ciudad

Search the Art History Database for artists, titles, media, year, and other indepth information: